Assignment 5 – Rework

The brief I’ve been given is to imagine that I’m about to illustrate a story for a magazine.  I need to illustrate a cover and 6 – 12 pages inside with text to explain each photo link.  The inside pages will form a narrative where each picture adds an extra element to the story and sometimes with two photographs being placed together to broaden the meaning.

For this brief, I have decided to use a social documentary style of photography to record a local event.  The story will be illustrated in the local Parish Magazine which is A5 in size.  Residents are asked to submit photos and covering stories for submission into the magazine.  The magazine covers its printing costs by charging a fee for local businesses to advertise throughout the inside pages.  Volunteers manage the publication, who also raise money for local concerns through the magazine.  The magazine is then distributed through the doors of local residents and businesses.

I’m covering a local event which occurs only once per year at Blist’s Hill Victorian Village Museum.  The Village opens its gates to the public in the evening for visitors to experience Victorian life at night. The Museum charges an entrance fee to cover costs although I approached the manager for a photographers pass as I would be documenting the event for the Parish Magazine.  The benefit to the museum would be wide-spread free advertising of their attractions and in particular this event.  A pass was issued which meant I was also given access to parts of the industrial areas that are out-of-bounds to the general public.

This is my submission for the magazine which was published in the November edition.

 Assignment 5b

The biggest challenges were obtaining quality photos given the fact it would be dark throughout the entire event and shot at a high ISO.  Also the crowds were vast and getting the required composition was almost impossible.  My photographers pass came in handy when shooting the cover photo as I was allowed inside the boundary so I could get a clear shot of the man at work. The cover shot was chosen to represent the idea of the event which was seeing and experience Victorian life at night.  The man whose working hard to keep the furnace fires burning has the outline of his face and chest highlighted by the light from the flames although outside is completely in darkness.  This makes for quite a dramatic contrast and tells the reader two things, the event is at night in the dark and industry will be a main feature.  This is an accurate illustration of the realities of industrial areas within the village.  Local residents who are the audience for the magazine story are fully aware of how they live in the heart of the industrial revolution and in this area at the time village life was dominated with furnaces and non stop efforts to ‘keep the coals burning’.  For these reasons I feel that this cover will appeal to the those reading the magazine.

Slide2Slide3

Pages 1 & 2 are all linked in that they are trying to illustrate what the high street has to offer.  On page one is a landscape type photo showing the street and its visitors with a close up of a shop window, lit up, with customers taking a  moment to see what’s on offer.  On page two the photography shop is telling the viewer that the shops are open and customers are welcome inside as a man can clearly be seen at the counter.  Therefore these pages represent the high street, it’s shops, enticing shop windows and the fact that the shops are open giving the reader a sense being there.  Although not evident in photos on these pages the closing paragraph hints at what’s to come ‘a smell of burning wood’.

Slide4 Slide5

Pages 3 & 4 are illustrating light and the different ways of achieving it.  The lamplight against a nice brick wall which states it’s used in residential areas is a stark contrast to the street lighting in the industrial areas.  We know the stakes are in the industrial area because parts of machinery are present in the photo too which gives the photo a place.  On page 4 is the entrance to factory which is modestly lit inside although has no lighting outside.  The silhouettes of the visitors have no light shining on them from the outside but they can see inside.  What this is saying is that lighting was a big consideration in Victorian times and wasn’t wasted where it was necessary.  These two pages represent the meaning of the event which is to experience how Victorians deal with darkness compared to modern-day where light is everywhere.

 Slide6 Slide7

Pages 5 continues the story with a transitional walk from the industrial area down to the fun fair and school.  The photo at the top of page 5 was a compromise between adding an element to the story and including a photograph that was more grainy due to the high ISO of 3200.  Although not a great aesthetically pleasing photograph it shows the enormity of the crowds and the walking involved and gives the feeling of moving forward showing an action taking place.  The second photo down on page 5 seems slightly out-of-place in between a crowd of people walking down a hill and the fun fair being at the bottom.  It was included because it is what people would see as they were passing the big iron works which was situated on the hill.  Having passed the ironworks the fun fair is at the bottom of the hill.  The bottom photograph shows the crowds waiting for a ride on the carousel with is brightly lit and colourful and more aesthetically pleasing than the previous two photos.

Page six shows a crowd gathering in front of the school for the fireworks to begin.  It’s a shame there is no indication of the building in the picture being a school but I included to show the symmetrical architecture of the time and to continue the story of the crowds waiting for the show.

 happyboySlide9

I placed the two photos together on page 7 as they show a happy child watching the fireworks and we know he’s watching the fireworks by placing a firework in the sky with tops of heads on the same page.  Page 8 is showing the showstopper final firework filling up the sky and putting an end to the event.  The fact that it fills the whole page is suggesting the firework is big in the sky and the biggest fireworks are always at the end.

This concludes my notes that accompany my assignment 5 submission.  A pdf copy of the brochure can be found here

Assignment 5 – Rework

The brief I’ve been given is to imagine that I’m about to illustrate a story for a magazine.  I need to illustrate a cover and 6 – 12 pages inside with text to explain each photo link.  The inside pages will form a narrative where each picture adds an extra element to the story and sometimes with two photographs being placed together to broaden the meaning.

For this brief, I have decided to use a social documentary style of photography to record a local event.  The story will be illustrated in the local Parish Magazine which is A5 in size.  Residents are asked to submit photos and covering stories for submission into the magazine.  The magazine covers its printing costs by charging a fee for local businesses to advertise throughout the inside pages.  Volunteers manage the publication, who also raise money for local concerns through the magazine.  The magazine is then distributed through the doors of local residents and businesses.

I’m covering a local event which occurs only once per year at Blist’s Hill Victorian Village Museum.  The Village opens its gates to the public in the evening for visitors to experience Victorian life at night. The Museum charges an entrance fee to cover costs although I approached the manager for a photographers pass as I would be documenting the event for the Parish Magazine.  The benefit to the museum would be wide-spread free advertising of their attractions and in particular this event.  A pass was issued which meant I was also given access to parts of the industrial areas that are out-of-bounds to the general public.

This is my submission for the magazine which was published in the November edition.

 Assignment 5b

The biggest challenges were obtaining quality photos given the fact it would be dark throughout the entire event and shot at a high ISO.  Also the crowds were vast and getting the required composition was almost impossible.  My photographers pass came in handy when shooting the cover photo as I was allowed inside the boundary so I could get a clear shot of the man at work. The cover shot was chosen to represent the idea of the event which was seeing and experience Victorian life at night.  The man whose working hard to keep the furnace fires burning has the outline of his face and chest highlighted by the light from the flames although outside is completely in darkness.  This makes for quite a dramatic contrast and tells the reader two things, the event is at night in the dark and industry will be a main feature.  This is an accurate illustration of the realities of industrial areas within the village.  Local residents who are the audience for the magazine story are fully aware of how they live in the heart of the industrial revolution and in this area at the time village life was dominated with furnaces and non stop efforts to ‘keep the coals burning’.  For these reasons I feel that this cover will appeal to the those reading the magazine.

Slide2Slide3

Pages 1 & 2 are all linked in that they are trying to illustrate what the high street has to offer.  On page one is a landscape type photo showing the street and its visitors with a close up of a shop window, lit up, with customers taking a  moment to see what’s on offer.  On page two the photography shop is telling the viewer that the shops are open and customers are welcome inside as a man can clearly be seen at the counter.  Therefore these pages represent the high street, it’s shops, enticing shop windows and the fact that the shops are open giving the reader a sense being there.  Although not evident in photos on these pages the closing paragraph hints at what’s to come ‘a smell of burning wood’.

Slide4 Slide5

Pages 3 & 4 are illustrating light and the different ways of achieving it.  The lamplight against a nice brick wall which states it’s used in residential areas is a stark contrast to the street lighting in the industrial areas.  We know the stakes are in the industrial area because parts of machinery are present in the photo too which gives the photo a place.  On page 4 is the entrance to factory which is modestly lit inside although has no lighting outside.  The silhouettes of the visitors have no light shining on them from the outside but they can see inside.  What this is saying is that lighting was a big consideration in Victorian times and wasn’t wasted where it was necessary.  These two pages represent the meaning of the event which is to experience how Victorians deal with darkness compared to modern-day where light is everywhere.

 Slide6 Slide7

Pages 5 continues the story with a transitional walk from the industrial area down to the fun fair and school.  The photo at the top of page 5 was a compromise between adding an element to the story and including a photograph that was more grainy due to the high ISO of 3200.  Although not a great aesthetically pleasing photograph it shows the enormity of the crowds and the walking involved and gives the feeling of moving forward showing an action taking place.  The second photo down on page 5 seems slightly out-of-place in between a crowd of people walking down a hill and the fun fair being at the bottom.  It was included because it is what people would see as they were passing the big iron works which was situated on the hill.  Having passed the ironworks the fun fair is at the bottom of the hill.  The bottom photograph shows the crowds waiting for a ride on the carousel with is brightly lit and colourful and more aesthetically pleasing than the previous two photos.

Page six shows a crowd gathering in front of the school for the fireworks to begin.  It’s a shame there is no indication of the building in the picture being a school but I included to show the symmetrical architecture of the time and to continue the story of the crowds waiting for the show.

 happyboySlide9

I placed the two photos together on page 7 as they show a happy child watching the fireworks and we know he’s watching the fireworks by placing a firework in the sky with tops of heads on the same page.  Page 8 is showing the showstopper final firework filling up the sky and putting an end to the event.  The fact that it fills the whole page is suggesting the firework is big in the sky and the biggest fireworks are always at the end.

This concludes my notes that accompany my assignment 5 submission.  A pdf copy of the brochure can be found here

Assignment 5

This assignment is based on narrative and illustration.  The brief was to produce a feature cover for a magazine and a narrative series of photographs for a feature inside.

Cover Page
Slide1

Pages 2&3

Slide2Slide3

Pages 4&5

Slide4 Slide5

Pages 6&7

Slide6 Slide7

Pages 8&9

Slide8Slide9

Pages 10&11

Slide10 Slide11

You will find a pdf version of this magazine at https://samjbennett.wordpress.com/wp-content/uploads/2014/01/assignment-5b.pdf

When viewing in PDF viewer change the view to, Zoom to fit page.  Check the option in View\Page Display to select Two Page View and make sure Show Cover Page in Two Page View is selected.  This will enable you to view the magazine as intended with the correct pages side by side.

5.5 Rain

My brief is to produce a single, strong and attractive photograph on the subject of rain for a magazine cover.  This needs to leave readers in no doubt that the cover photo is about rain.

I had lots of ideas and luckily had plenty of opportunities to go out photographing in the rain.  I’ve collated my favorite photographs from the various rain shoots I’ve done but as the brief asks for one single representation of rain then I will showcase this first:

IMG_4733

To me this photograph categorically symolises rain.  It’s what everyone sees from their window when it rains.  The background is there but very distorted so this could be anyone’s view from their window on a rainy day.  It’s a strong image due to the water droplets being mainly in focus and attractive too in a Monet kind of way with the colours blending into one another.

Other ideas for photographs sybolising rain are:

IMG_3917 IMG_3911 IMG_4744IMG_4750 IMG_3868IMG_4766 IMG_4753  

Although these images were produced as a result of rain many of them were taken after the rain had stopped.  Mainly to protect my camera but also rain can be distracting in itself and it’s much better to wait if you want to produce a calmer image.

5.4 Juxtaposition

Of all the times I’ve got up in the morning and got straight into studying in my pj’s, today I wish I had showered, blow dried my hair and put on a bit of make up!  I’m not doing myself any favors here as  you’ll find out……….

My aim here is to photograph a book cover relevant to the book where using two or three elements will give a good impression of what the book is about.  The placing of these elements is also important as it can help a great deal.

Using juxtaposition (the placing of two or more things together to suggest a relationship) I’m attempting to photograph a cover for the book ‘Secret Smile’ by Nicci French.

secret smile

 

My thinking was that partly placing the hand over the smiling mouth it would indicate that the smile is a hidden one.  Also the eyes are looking away towards the ground in a guilty manner.  Also in the frame is the presence of a wedding ring suggesting that’s an important part of the story.  The black and white filter is to add some mood an intrigue.  If you put all these elements together, the hidden smile, being married, the guilty eyes, the dark atmosphere……….this should suggest an affair that went wrong!

You decide……..

5.3 Symbols

We can photograph visible things but what happens when we want to photograph a word?  None visual words such as, insurance, need a visual representation and to resolve this issue we use ‘symbols’.  In the example of insurance we may use a symbol that clearly represents security such as a padlock or a safety net.

My task here is to think of symbols that can be used in place of words:

GROWTH – Child in front of a height chart, piles of coins gaining in height, seed\seedling\plant\tree.

EXCESS – A person dining with an extremely bulging tummy, bulging suitcase, plate overflowing with food.

CRIME – weapons, fingerprints, handcuffs, jail bars, murder victim chalk outline.

SILENCE – Graveyard, person reading, finger on lips, hands on ears, Library.

POVERTY – Slums, starving children, sleeping on street, person wearing dirty and torn clothing.

Some of these symbols, to represent words in pictures, may seem obvious and others not but what they all have in common is that they can be photographed as actual things.   Therefore giving each word a visual representation by using the suggested symbols.

5.2 Evidence of action

I was tasked with producing a photograph were evidence of an action can be seen when within my own household and altercation took place.  There was no time for lighting techniques, tripod, change of lens or to consider the perspective.  It was a case of grab the camera and shoot!  So in this event the content of the photograph is the main point and not the technical quality of the image:

IMG_4674

As you can see in the foreground is a soft toy lying on the floor with its stuffing taken out.  Beyond that is a dog and an unhappy child accusingly pointing a the dog.  You may also notice lots of dining chair legs suggesting the location of the scene is under a dining table.  This photograph is telling a story all by itself.  The dog has stolen the child’s toy, hid under the dining table and chewed all the stuffing out of it.  The child has caught the dog under the table and the evidence of the remains of the soft toy next to the dog.  The child points to the dog scalding him for being a bad dog.

5.1 A narrative picture essay

As this is a narrative essay it should need no introduction or explanation.  The photographs should do that:

IMG_4509

An introduction to the story, setting the scene of a recipe and ingredients showing the intention to bake.

  IMG_4525
The chef gets to work, look at the concentration.

IMG_4541  IMG_4544  IMG_4547
Putting the ingredients together carefully.

IMG_4550Oops! Making baking fun.

IMG_4534     IMG_4519
The equipment used in the baking process.

IMG_4555The flavour of the bakes, unmistakably chocolate.

IMG_4564 IMG_4560
Adding the chocolate drops…..one for the chef…..cheeky!

IMG_4572  IMG_4576
Pouring the mixture into the baking tin and checking the consistency for quality control purposes.

IMG_4677
Checking the time, is it ready yet?

IMG_4594
This waiting about can be boring, lets have some more fun.

IMG_4678
Tada….Chocolate Brownies.

IMG_4684
Baked to gooey perfection.